Hunger was the starting point: writer of “Kingdom”, director of the creation of the hit zombie thriller series
As a fan of the zombie genre, “Kingdom” writer Kim Eun-hee says she has always been intrigued by hunger for the living dead, the main theme that runs through her popular Netflix period thriller series. international as well as its next prequel ” Ashin of the North ”.
In an exclusive interview with PTI, writer and director Kim Seong-hun spoke about the universe of “ Kingdom ” and what makes the Korean-language series, set in the medieval era of the dynasty Joseon (1392-1897), resonates with audiences around the world.
“I’m a huge fan of zombies. When I watched other sets of zombies they all run around to eat. I might look a little kinky but I didn’t feel fear, I really pity the zombies because why would they run so hard just to eat that little piece of flesh? That’s why I landed on the topic of hunger, ” Kim Eun-hee said in a Zoom interview from Seoul, South Korea.
The writer, 49, also known for popular Korean investigative time travel drama ‘Signal’, said the original drama with its story of a crown prince (played by Ju Ji-hoon ) investigating a mysterious epidemic, has different themes at its core, the concept of hunger stands out for her.
‘We have a lot of different themes like politics and lust for power, but what appealed to me the most was hunger and that was the starting point for me,’ Kim Eun-hee, who adapted ‘ ‘Kingdom’ ‘from his webcomic series” The Kingdom of the Gods’ ‘, narrated with the help of an interpreter.
‘Kingdom’ director Kim Seong-hun, who also helmed the 92-minute special ‘Ashin of the North’, believes South Korean zombie stories have become world famous as the writers and filmmakers focus on telling original stories to set themselves apart from their Western counterparts, who have more money and technical know-how to invest.
South Korea has made the genre their own by delivering very original content with the 2016 hit film ‘Train to Busan’, its sequel ” Peninsula ”, ” #Alive ”, ” Rampant ” , bustling ” Seoul Station ” and ” Kingdom ” to name a few.
Kim Seong-hun, 50, credits Korean creators for the popularity of the country’s zombie stories.
Usually it’s Hollywood that does the best job because they have the money and the know-how. So to differentiate themselves from Hollywood, what Korean creators are doing is getting more original and having more original stories molded into the zombie genre, which makes them look great. I think that’s why so many people love the Korean style, ” he added.
The director said it is difficult to direct local actors as carnivorous creatures such as “Korean zombies are full of stamina and they are very fast,” which can lead to safety issues on set.
The other challenge was that it’s a zombie genre, but it’s also based on a historical period, so there was a lot of visual effects and martial arts. Even having only one of them in the story can make it difficult, but we had all three of them. So I think that was the hardest part, ” he added.
While there is no clarity on the third season of ‘Kingdom’, fans will be able to whet their appetites with ” Ashin of the North, ” a prequel story titled by the ‘My Love from the Star ” Jun Ji -hyun and set to stream on Netflix starting Friday.
” Ashin of the North ” will tell the story of her titular warrior from the northern border town of Joseon, who has vowed to avenge the deaths of his loved ones. She runs into Park Byung-eun’s Min Chi-rok, who made a lasting impression in the second season of “Kingdom” as head of the Royal Commandery. It will also reveal the story of the resurrection plant, or “saengsacho” in Korean, responsible for the zombie outbreak.
At a global press conference on Tuesday, Kim Seong-hun teased a scene involving zombies as the climax of ” Ashin of the North, ” claiming it’s a scene the whole prequel ” fits. really leads. ”
“It really is a sad, tragic but extremely charming scene,” he added.
Kim Eun-hee said she decided to set up the spin-off in the northern border town of Joseon to tell the story of the “marginalized people of that time.”
During the press conference, the writer also spoke of feeling the pressure that comes with waiting for a hit series.
(This story was not edited by Devdiscourse staff and is auto-generated from a syndicated feed.)