Exhibit at the Cervantes Institute in New York celebrates the communicative power of art

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By Jorge Fuentelsaz

New York, June 25 (EFE) .- The Cervantes Institute of New York will inaugurate an exhibition next week featuring various works by five Hispanic artists who celebrate the language of art and the multiple forms of expression beyond the speech and writing.

“There is a magical language in the substance of things. There is a form, (there are) languages ​​which are not the type of language that we are able to understand as we can speak ”, one of the two curators of the exhibition, co-founder of the platform -digital curatorial form La Pera Projects, Clara Andrade Pereira, told Efe.

The exhibition titled “La Creacion Muda” (The Silent Creation) will run from June 28 to September 10 and will bring together seven artists from Spain, Colombia, Cuba, Chile and Puerto Rico whose works – including ceramic and photographic art, sculptures and paintings – “suggest different types of language”.

Scheduled to kick off four days after the expiration of New York State’s Covid-19 state of emergency, visitors will not need to make reservations before attending.

In this first in a series of curated projects involving Hispanic artists working in the New York metropolitan area, a painting by Colombian artist Daniel Mantilla shows the mute tension of a conversation frozen in time and unfolding in space. claustrophobic.

“My job generally involves accumulations and confinement. I often have characters interacting in enclosed spaces, whether in gardens, on rooftops or in domestic spaces, ”he told Efe.

Two characters maintain a conversation in his painting, but the speech of one speaker drowns the other and even goes beyond the limits of the canvas.

“The work is called ‘Monologue’ because although they apparently have a conversation, in reality they are not listening to each other,” said the painter, adding that he prefers to use “screaming colors” to convey the tension and an idea of ​​confinement which is underlined by repetitive lines which “create the feeling of imprisonment”.

The curators of the exhibition were inspired by the book by German philosopher and essayist Walter Benjamin “On language as such and on the language of man”, published in 1916.

This groundbreaking text views language as a “spiritual medium” and describes the magical language of certain situations or works of art that “convey things that we are often not even able to grasp in writing,” Andrade said.

A pair of untitled paintings by Chilean Hernan Rivera Luque, meanwhile, expresses the language’s rich range of accents.

“These are fragments of advertising posters that make up a whole, and when separated, they represent the language changes, the intricacies of different accents, how different countries use the Spanish language differently and how the pieces fit together. and form a new whole and represent how the language changes, ”explained Blanca Pascual Baztan, co-founder of La Pera Projects and co-curator of the exhibition.

Other works in the exhibition include “Templo, Pagoda y Torre” by Laura Jimenez Galvis, which alludes to what was left of the Great Library of Alexandria after its destruction.

The New York branch of the Cervantes Institute, a nonprofit organization founded by the Spanish government, says on its website that the exhibit reflects “the endless possibilities that exist to generate dialogue.”

EFE

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